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She plays the standard Hollywood game, from her attention to the bottom line to her occasional cutthroat moment, but her primary allegiance is to the creative side, which means that actors, writers, and directors love her. Part of a generation of women that includes Paramount Pictures chairman Sherry Lansing and former Columbia Pictures president Dawn Steel, Obst is one of filmdom’s best-known producers, famous for her good taste, sharp mind, and fearless temperament. #Sleepless in seatle guys cry over movie professional#What Obst may be lacking in divorce experience is dwarfed by the credits on her professional résumé. Obst was busted: You can put the woman in Texas, but she can never entirely be of it. “Take care of that right away,” one of the clerks said to another, anticipating how fast Obst is always moving. ![]() But when they arrived at the Fredericksburg Herb Farm, the sales staff snapped to attention. McLaglen and Obst-both compulsive, type-A personalities-routinely spar about which one of them is more capable of chilling out as a part-time Texan, Obst figured she’d finally won. One leisurely afternoon not long ago, 47-year-old Obst was taking her friend and producing colleague Mary McLaglen on a shopping tour of Fred (as some Fredericksburg residents call their town). And they finally concede the point: When Obst raves about the quiet, the friendliness, and the unhurried, pressure-free pace, she means it. They marvel at the birds and the wildflowers and Obst’s elaborate, lovingly maintained green-and-brown cowboy boots, the ones with the hearts over each toe. #Sleepless in seatle guys cry over movie movie#They note the near absence of anything related to the movie business inside. Then they come to Obst’s Fredericksburg home, a four-bedroom, 124-year-old stone-and-wood retreat. In Hollywood the hard-core show biz types can’t figure out why anyone would choose Texas over Aspen or Martha’s Vineyard, while Obst’s friends, accustomed to her unbridled energy and unparalleled efficiency, can’t quite reconcile those qualities with the notion of little Lynda, happy at last, in the peaceful, isolated Texas Hill Country. Obst’s eighteen-year-old son, Oly, is mortified by his mom’s sudden interest in the Houston Rockets after a lifetime of Los Angeles Lakers games. The Manhattanites are still waiting for her inevitable return to the world of literature, politics, and journalism that she occupied before becoming a big-time movie producer. ![]() Or post your responses in the comment section below.PEOPLE CLOSE TO LYNDA OBST REMAIN skeptical about the Texas thing. Join the conversation on Twitter and Instagram now using #AFIMovieClub. The movie doesn’t end at the credits: Family-friendly Discussion Questions – DID YOU KNOW that the production was initially denied permission to shoot the iconic final scene at the Empire State Building? Director Nora Ephron made a plea through a friend to building owner Leona Helmsley, who was incarcerated but still approved shooting at the historic location – but for only six hours! – DID YOU KNOW one of Nora Ephron’s stated goals was to give every single character a “moment”? One of her favorite examples in SLEEPLESS IN SEATTLE is when the mailman has a silly conversation with Jonah about cures for hiccups. – DID YOU KNOW Tom Hanks and Victor Garber improvised the scene of them crying over the movie THE DIRTY DOZEN? – DID YOU KNOW during one scene of the film, Meg Ryan walks in the same door in Baltimore as Tom Hanks walks out of in Seattle? Director Nora Ephron had the door shipped from Baltimore to Seattle to show the connection between the two characters. – DID YOU KNOW during filming there was a drought in Seattle? Filmmakers had to bring in water trucks to create the rain! – DID YOU KNOW SLEEPLESS IN SEATTLE almost starred Julia Roberts? The PRETTY WOMAN star has since said that Tom Hanks and Meg Ryan were a “jewel of a fit in that” and compared their chemistry to her own with Richard Gere. – DID YOU KNOW that, according to producer Gary Foster, Nora Ephron was so confident in her approach to the material that she told him she could rewrite the original script within two weeks? She also promised that it would be so good that the studio should get Meg Ryan and Tom Hanks, because that’s what the movie deserved! – DID YOU KNOW Nora Ephron was initially interested in SLEEPLESS IN SEATTLE as a quick rewrite job? She would go on to direct the film – her feature directorial debut – and it would become one of her most beloved signature works! ![]()
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